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Lady Lullaby Blog

Lullabies for babies, grown-ups and everyone in between!

Showing posts with label lullaby. Show all posts
Showing posts with label lullaby. Show all posts
Monday, April 29, 2013

Music as Medicine for Premature babies




"Historically, premature infants were thought to be best off left alone in a quiet, closed incubator with no stimulation," said Joanne Loewy, director of Beth Israel's Louis Armstrong Center for Music & Medicine, in an interview with CBS News. "In more recent times, we're seeing that the right kind of stimulation -- particularly live, interactive music -- can enhance babies' neurological function and increase their quiet-alert state. It helps them through those tough moments...”

A new study published online in Pediatrics on April 15 has shown that lullabies and other music therapies have many benefits for premature infants, giving them a better chance at a healthy life.

Babies usually hear the mother’s heartbeat 26 million times before birth, so in this study a wooden instrument called a “Gato box” was played softly to replicate the sound and rhythm of the mother’s heartbeat. It seemed to help the babies make up for the millions of heartbeats that they were missing by being born so early, for they responded with a lowered and more stabilized heart rate.

Another instrument was the “Remo ocean disc,” imitating the watery sounds of the womb. It helped to lower the respiration rate of the babies who were struggling for normal breath and regulate the blood-oxygen levels.

And singing! The best results for wakefulness and lowering of stress were found when the parents sang quietly to their babies. The song didn’t matter---one mother sang “Eight Days A Week” and it had positive effects just like “Twinkle Twinkle.”
They were all sung as lullabies, and worked the way a lullaby works: to relax, calm, and soothe. The singing helped babies get to that “quiet alert state,” which is the best condition of the nervous system for maximum development.

This new study is just more evidence of the great power of music, starting from the beginning of our human lives. Or in this case, when the beginning was even earlier than it was supposed to be!

Here is a short New York Times video interview about the study :

http://www.nytimes.com/video/2013/04/16/science/100000002175017/preemies-and-sound.html?ref=health

Wishing everyone of all ages a good and healing night’s sleep.


Sweet Dreams,
Jane





Monday, January 28, 2013

The Lullaby Angel




It was the first time in years I’d actually made it to bed before 10 p.m.  It’s always a goal, but somehow it doesn’t happen. Now, however, there was strong motivation: my toddler grandson who sometimes sleeps all night and sometimes doesn’t. You don’t fool around at these times—it’s a matter of survival.

Sure enough, after a few hours of sleep, I heard the battle cry: “Bubbie, Bubbie!”  While it was, thrillingly, recognition of the bond that we had formed---he remembered to call for me instead of his out-of-town parents---I resolved to not give in. It took eight minutes for this resolve to crumble. I went in and picked him up.

We sat in the big chair in his room and I rocked and hummed a lullaby. He settled down and I slowly moved to put him back in the crib. No way. Another lullaby, more settling, another move, more refusal. After a few rounds of this I lovingly but firmly put him back in his crib to scream it out. I admitted defeat, and questioning my right to the title of Lady Lullaby, I slunk out of the room.

Just then a 23-year-old angel appeared. Her name was Veronica, and we’d signed her on just in case this happened for four nights in a row. Young parents do this many nights in a row---I did too, once upon a time---but now this grandmother becomes a useless zombie after not sleeping for a couple nights. To save us all from that fate, the angel offered to take over.

I heard soft singing and the screams gradually turned to whimpers. As I started to relax and fully appreciate being horizontal, the singing continued and the whimpering grew quieter. Songs flowed on and on, one after another, until finally there was real quiet.

In the morning I hugged the angel and asked what she was singing all that time. She didn’t remember any lullabies, she said, so she just went through all the songs she knew: from high school and college musicals she’d been part of; the hit songs of her teen-age years; church hymns and fight songs; and finally all the music from “Les Mis,” sung lullaby style.

The words didn’t matter and the tunes didn’t matter---it was the sweetness, the joy of singing, the loving feelings, and the youthful endurance that came through. This is what the lullaby instinct is all about---this is the heart of lulling a baby to sleep.

And tonight, back in my own bed, I wish his parents---and all parents---patience, endurance, and a memory full of songs of all kinds.

Sweet dreams to young and old,
Jane
Tuesday, January 22, 2013

Tamales For St. Peter





As my four-year-old granddaughter and I were excitedly waiting for her very first ballet class at the YMCA to begin--purple leotard, pink tights in place---a young man was leaving the room after working out. He asked about the class, and then pulled out his cell phone to show me a picture of his beautiful six-month old daughter. “She’ll be dancing soon too,” he said proudly.

Because it’s what I do, I asked if he sings lullabies to his daughter.

“Oh yes,” he said, “I sing her lullabies in Spanish---the songs my mother sang to me when I was a baby in Mexico.”

“Perfect!” I replied. And it is. This is a wonderful and important gift to a child, passing along the songs of the previous generations.

Spotlight on Music agrees: “Apart from their obvious entertainment value, children's songs and games are often important vehicles for cultures to transmit important knowledge to next generation. Song lyrics or game actions might provide models for cultural customs or family and other social relationships.”

And like my new friend, families migrate, and the culture and the music of the new place will have an influence on the music that the immigrant brings to his new home. This is the nature of our global societies, and it will create new and exciting forms of music.

Similarly, music travels even when people don’t. In Mexico, for instance, because of the cultural influence of the United States, translations of children's songs from English to Spanish have become a part of the children’s music. Songs like "Itzi, bitzi arena" ("The Itsy, Bitsy Spider") and "Estrellita" ("Twinkle, Twinkle, Little Star") are as popular in that Mexico as they are in the US.

Our job, in the midst of all this blending of cultures, is to also keep our cultural traditions strong by preserving the integrity of the precious songs that should be passed along to future generations. If you sing the songs that you heard as a child, your child will too.

There are hundreds of beautiful Mexican lullabies, but one of my favorites is “Arriba Del Ciela” (Above Heaven)

This lullaby has many elements. It tells a story about St. Peter wanting tamales, has some nonsense lullaby syllables to hush the baby to sleep, and then it gets to the bottom line:  “Go to sleep because I have chores to do!” Like in many lullabies, the sublime, the humorous, and the practical meet, as the mother gets a chance to dream, be playful, and then comes back to reality. In this version, though, we also have the child afraid that the parents will sell her/him to buy money for food---perhaps this is a common childhood fear, or perhaps it’s a sad nod to a world where such things really happen.

Here is a beautiful video of Claudia Martinez singing “Arriba Del Cielo”
http://www.youtube.com/watch?feature=player_detailpage&v=IdBEFtv5M_c

Above heaven they make tamales
Above heaven they make tamales
San Pedro heard about that and he ordered to bring the real ones
San Pedro heard about that and he ordered to bring the real ones
To the rorrun baby to the rorrun now
To the rorrun baby to the rorrun now
sleep lovely baby boy
sleep lovely baby boy
sleep lovely baby boy because I have things to do
sleep lovely baby boy because I have things to do
to whash your
 cloth diapers and go to sew
to whash your cloth diapers and go to sew
To the rorrun baby to the rorrun now
To the rorrun baby to the rorrun now
sleep lovely baby boy
sleep lovely baby boy
My dad and mom want to sell me
My dad and mom want to sell me
in exchange for chile and tomatoes that they want to eat
in exchange for chile and tomatoes that they want to eat
To the rorrun baby to the rorrun now
To the rorrun baby to the rorrun now
sleep lovely baby boy
sleep lovely baby boy

Arriba del cielo hicieron tamales
Arriba del cielo hicieron tamales
Lo supo San Pedro y mandó a traer los reales
Lo supo San Pedro y mandó a traer los reales
A la rorrun niño a la rorron cha
A la rorrun niño a la rorron cha
Duermete niñito de mi corazón
Duermete niñito de mi corazón
Duermete niñito que tengo que hacer
Duermete niñito que tengo que hacer
Lavar tus pañales, y ponerme a coser
Lavar tus pañales, y ponerme a coser
A la rorrun niño a la rorron cha
A la rorrun niño a la rorron cha
Duermete niñito de mi corazón
Duermete niñito de mi corazón
Mi papa y mi mama me quieren vender
Mi papa y mi mama me quieren vender
Por chile y tomates que quieren comer
Por chile y tomates que quieren comer
A la rorron niño a la rorron ya
A la rorron niño a la rorron ya
Duermete niñito de mi corazón
Duermete niñito de mi corazón


Sweet Dreams,
Jane


Thursday, January 3, 2013

Next Time Round The Sun




Another year is gone, time will not be captured
Even when we try so hard to hold on to the past
No repeats allowed of regrets or rapture
The moment comes, the moment goes
It happens all so fast

As the planet spins around again
As dreams are lost and found again
We take a look at where we’ve been
And where we want to be
When all is said and done
Next time round the sun

As I thought of what I’d done right this past year and what I’d done wrong, lots of big and little regrets and raptures came into my mind, and I knew that there wasn't a darn thing I could do about either one. I wish I’d tipped that great cab driver better last week. I was glad I’d chosen to make the too-long trip to spend the holidays with my kids and grandchildren. I wish I’d taken the time to write more music in the past year. I was glad that I dared to perform for the first time in a long time, even though I regretted not practicing more for it. Will this be the constant theme of life?

 As parents and grandparents, we’ll always make mistakes, little and big, that we wish we could take back.  And we’ll do things that we’re proud of having done, seeing the results shining in the eyes of the children, and wish that moment could last longer. We can’t take back the mistakes, we just have to try to not do that exact one again. And appreciate those good moments as much as we can.

No repeats allowed, of either regrets or rapture.

There is only one thing that we can do to help minimize the mistakes and maximize appreciation of the good times---staying balanced and rested as possible. When we’re rested we can think more clearly and make those snap decisions with better brain power, calculation, and intuition. Research shows that calming music at bedtime can help both you and your kids fall asleep faster and sleep better.

Staying rested isn’t easy, with so much to do in our fast-paced world, but it’s a goal. That’s my Big Goal for this New Year, because then I know that all the little goals will have more of a chance of being fulfilled.

Happy New Year to all!

Sweet Dreams,
Jane














On vacation with my daughter, we sat by the beach for one whole gloriously sunny day and watched the ocean waves rolling in with endless energy. They just kept coming and coming and coming. Hour after hour, day after day, year after year. Sometimes calm and sometimes wild and dangerous. They had no choice about it—it’s what they have to do, being tied to the irrefutable forces of nature.

The song of the river is a song of devotion
It doesn't know why, but it travels till it reaches the ocean floor
It’s song fulfilled in the ocean’s roar


Monday, November 5, 2012

Caution: Do Not Use Lullabies For Political Campaigns



Music serves different purposes for the different parts of our lives. It’s the background score for all of us from the cradle to the grave and every moment in between. Music serves to soothe us, to heal us emotionally, to inspire us religiously, and this week it serves —hopefully--- to motivate us to action.

You won’t hear lullabies being used for campaign songs. Why is that? The people who plan these things don’t want to soothe and calm us right now, they don’t want us to fall asleep---they want us to get up and vote and make phone calls and go door to door, to get out there and cheer for the guy with the best message and the best song.

“Music connects on so many levels,” says James Elliott, chairman of the songwriting program at Belmont University in Nashville. “There’s patriotism, there’s maybe an element of nostalgia, pride, and just a love for country and a love for fellow man.” Music can stimulate all of that, and politicians on both sides are well aware of it.

“Since the nation's founders rocked out to “God Save George Washington,” music has been an integral part of our political system,” writes Mike Burr for Prefix Online Magazine.  “Songs have drawn attention to problems in society, served as rallying points for the citizenry and opened discussions on topics that were otherwise unapproachable.”

In the past years, after “Tippecanoe and Tyler Too” caught the attention of the nation in 1840, songs have become an important part of the campaign process. Most songs weren’t written specifically for the campaign---candidates just pick something they think expresses their message. Mike  Burr picks “This Land is Your Land” by Woody Guthrie as the most important patriotic song in our nation’s history. George H. Bush used that one in 1988. George W. Bush’s song pick didn’t work out so well: Tom Petty threatened to sue him if he didn’t stop using his song “I Won’t Back Down.”

Texas billionaire Ross Perot used the Patsy Cline hit “Crazy” for his campaign. Other political songs range from ABBA’s “Take a Chance on Me” to Fleetwood Mac’s “Don’t Stop” and of course, Bruce Springsteen’s “Born in the USA.” Campaign songs come from all genres, all political orientations, and all age groups.

The one thing they have in common is that they are definitely not lullabies. We’ll get back to that next time---after the election is over.

Sweet dreams,

Jane